Todorov's Theory The Narrative Theory Todorov in 1969 produced a theory which he believed to be able to be applied to any film. He believed that all films followed the same narrative pattern. They all went through stages called the equilibrium, disequilibrium, acknowledgement, solving and again equilibrium. There are five stages the narrative can progress through: 1. A state of equilibrium (All is as it should be.) 2. A disruption of that order by an event. 3. A recognition that the disorder has occurred. 4. An attempt to repair the damage of the disruption. 5. A return or restoration of a NEW equilibrium
The hypodermic Needle Theory can be known as the syringe model of communication but it is commonly known as the 'Magic Bullet' The Bullet theory states that the message is a bullet fired from the media gun into the audiences head. The Hypodermic Needle model suggests that media messages are injected straight into a passive audience which is immediately influenced by the message. The mass media can have a very large influence on a big group of people directly and shooting and injecting them with appropriate messages to trigger a desired response. TWO STEP FLOW: Source→ Message→ Media→ Opinions→ Leaders→ Public (→) Direction of Flow How does this correlate with my short film? Audiences have always been very easily guided by different media outlets and still to this day have a big impact on peoples opinions. For my short horror film it will contain some sort of violence which will immediately catch peoples attention especially the younger generation as t...
Polysemy: Media texts open to any multiple readings. Horrors are often deliberately ambiguous. e.g. Shining Reading horror movies is just interpreting the movie in different ways to your understanding. Roland Barthes ( Death of the author): In his essay, Barthes argues against the method of reading and criticism that relies on aspects of the author's identity—their political views, historical context, religion, ethnicity, psychology, or other biographical or personal attributes—to distill meaning from the author's work. In this type of criticism, the experiences and biases of the author serve as a definitive "explanation" of the text.
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